Named for the Pincian Hill
The Pincio looks down over Rome from above the Spanish Steps — a terrace of order and long afternoon light. The Pincia tote answers in structured pebbled leather: composed, capacious, made to be carried for years.
Conceived by Hugo Caesar Tassi for the Iulia edit, the Pincia takes the discipline of a classical column — vertical, exact, quietly grand — and reads it as a structured tote. Gathered, pleated side panels give the body its softly winged trapezoid line, while two rolled top handles and a long, detachable shoulder strap let it move from the crook of the arm to the shoulder without fuss.
A single rectangular gold-tone pendant tag drops at the front, echoed by polished gold corners at the mouth — the only ornament the piece allows. Everything else is left to the leather and the line, the way Rome leaves a column to its own proportions.
Built to carry the day
Large enough for a laptop, a folio and the day's essentials, the Pincia is the workhorse of the imperial palette — disciplined on the outside, generous within.
The pebbled grain is chosen to resist the marks of daily life and to soften, never slacken, with wear; the structured base and reinforced corners hold the silhouette upright whether the bag is full or nearly empty. A top zip keeps the interior closed, with a lined compartment and slip pockets for the things you reach for first.
Carry the Basalt with tailoring through the working week, or the warm Cuoio with knitwear and denim at the weekend. It is a tote made to be kept and re-soled with use — an everyday heirloom rather than a single-season carry.