A versatile silk-look square in an equestrian carré print — golden-amber horses and saddlery on an ivory ground, bordered in navy. Knot it at the neck, the wrist or a bag handle.
Free express delivery worldwide · import duties included
The Vesta is a midi versatile silk-look square scarf with a hand-rolled edge in an equestrian carré print from the Iulia collection — a dress conceived in Rome for daytime, garden parties and the warmer months. The versatile silk-look square scarf with a hand-rolled edge in an equestrian carré print is cut from fluid satin with a quiet, candle-lit sheen, fully lined so it reads opaque in daylight and flash alike.
Like every Hugo Caesar Tassi piece, the Vesta is finished by hand: a concealed closure, real linings, and seams sewn to last. It is offered in 1 colors from the imperial palette — Avorio — and built to be worn for years, not a single season.
| Style name | Vesta — equestrian-print silk-look square scarf |
| Equestrian carré — horses, bridles and saddlery | |
| Shape | Square, 70 × 70 cm |
| Material | Silk-look polyester twill |
| Edge | Hand-rolled hem |
| Palette | Avorio ground with golden-amber, sky-blue and navy |
| Care | Spot clean or hand wash cold; cool iron on reverse |
| Origin | Designed in Roma · ethically made |
One size. A 70 × 70 cm square — generous enough to drape across the shoulders, slim enough to fold into a neck-tie or band.
Lightweight silk-look twill with a soft sheen; the hand-rolled edge keeps knots crisp and corners hanging true.
Versatile by design: wear it at the neck, the wrist, in the hair, or knotted to a bag handle.
Complimentary express shipping worldwide; dispatched within 1–6 business days, import duties included. Most orders arrive in 3–6 business days.
30-day returns on unworn items with tags attached. Each piece arrives in a porphyry box with the HCT seal.
For daytime, pair the Vesta in Avorio with fine-gold jewelry and a barely-there heel. Add the Faustina silk scarf at the neck or wrist to complete the look.
Keep reading & explore the edit
Vesta™Avorio · Size One Size
Vesta was the Roman goddess of the home and its quiet, constant fire — the small flame a household carried with it everywhere. The Vesta scarf is conceived in the same spirit: one refined piece that travels with you and finishes everything.
Hugo Caesar Tassi reads the classic equestrian carré through the imperial palette — a procession of golden-amber and rust horses, bridles and saddlery cantering across a soft ivory (Avorio) ground, framed by sky-blue panels and a deep navy border ruled with fine cream and amber pinstripes.
It is a print with the bearing of old Rome and the ease of a modern wardrobe: knotted at the neck over an ivory blouse, looped through a bag handle, or tied at the wrist, the Vesta is the one accessory that warms an outfit the way a hearth warms a room.
A square cut from silk-look polyester twill with a soft, fluid drape and a gentle sheen — finished with a hand-rolled edge so it knots cleanly and falls without a crease.
The 70 × 70 cm square is generous enough to fold into a slim neck-tie or open across the shoulders, and the twill holds a knot without slipping. The hand-rolled hem gives each edge a small, rounded weight that lets the corners hang true.
Designed in Rome as part of the Iulia edit, the Vesta is built to be reached for daily — easy to pack, simple to spot-clean, and unbothered by a life of travel, taxis and long lunches.
What she said after wearing it
The little galloping horses and bits of bridle are so finely drawn you can study them up close, and the golden-amber against ivory is warmer than I expected in person. Knotted it at my throat for a lunch and felt instantly pulled together.
Such a smooth, slippery hand that it ties in seconds and the loop never bunches awkwardly. Sits flat under a collar.
The print is lovely and the navy border crisp, exactly the warm ivory and amber I hoped for. Only personal note is that the square is a touch large for my short neck, so I have to fold it smaller before knotting. Entirely about my proportions, not the scarf, which is a genuine pleasure to wear.
What sold me was that slim navy border framing the equestrian scene. It stops the ivory looking washed out and gives the whole square a finished, deliberate look. The hand-rolled edge is neatly done all the way round, no puckering.
Tied it through the top handle of my tan tote and suddenly the bag looks considered rather than thrown together. The saddlery motif suits leather beautifully.
I was nervous an ivory ground would read cheap or yellowy, but in actual daylight it's a soft, clean cream that flatters my skin. The horses catch a bit of light too.
No fault here at all, the scarf itself is beautifully made and the horses are charming. Once I held the ivory ground up to my face in real light I realised warm cream just isn't my colour, I lean cooler and it washes me out a little. Completely my own misjudgement of the shade. The hand-rolled edge and print quality are honestly faultless, and I'll likely pass it to my sister who it'll suit far better.
Thank you for such a kind and honest note. Choosing a shade from a screen is never easy, and we're sorry the ivory ground didn't sit the way you'd hoped against your colouring. We're so glad the carré print and finishing still won you over, and we love that it may find a happy home with your sister. If you'd ever like a second opinion on tones before ordering, do write to us at contact@hctbeauty.com, we're always happy to help. The Vesta is a piece we're very proud of. Warmly, HCT Atelier.
Weighs almost nothing yet drapes with real fluidity. It moves when I walk.
Want to be upfront that this has zero to do with the scarf, which is genuinely pretty, those golden horses on ivory are just as charming as I'd hoped. The hold-up was that a long bank holiday weekend where I live froze the courier's final hop, so my parcel idled at the local depot for several extra days while everything was shut. Frustrating to watch the tracking sit still. The scarf, once it landed, knotted up beautifully and I've worn it twice already.
We completely understand the frustration of watching tracking stall through a holiday closure, and we're sorry the final leg of your delivery dragged on the way it did. That waiting is a real let-down, and we take it seriously. Thank you for separating the service hiccup from the piece itself, and for telling us the Vesta has already earned a place in your week. If a future order ever lands near a local closure, reach out to contact@hctbeauty.com and we'll do what we can to smooth the timing. Enjoy every knot of it. HCT Atelier.
Honestly this rating is on me. I bought a small leather wrist-strap version expecting it to fit the way a snug bracelet would, and I should have gone up a notch given how I like to wind a scarf twice round, so it ends up too tight for a proper double loop. Pure guesswork on my part with the measurements. The scarf is genuinely lovely, the equestrian print is crisp and the navy edge sharp, and I'd happily reorder the right size.
Thank you for being so generous in owning the sizing, though please don't be hard on yourself, judging a fit from afar is tricky and we'd never want you left with something that won't loop the way you like. We're delighted the print and that navy border still charmed you. Do drop us a line at contact@hctbeauty.com and we'll gladly help you land on the size that wraps comfortably twice over, or sort an exchange. The Vesta deserves to sit just right on you. With warm regards, HCT Atelier.
Fifty-odd dollars for something that makes three different outfits feel intentional is rare maths. I've worn it knotted at the neck, looped at the wrist, and wound round a ponytail, and it earns its keep each time.
Friends assume it's a heritage equestrian house and are surprised at the price. The carré print has that quiet, horsey elegance without any logos shouting.
Bought it for my mother who collects scarves, and the riding motif was perfect for her since she grew up around horses. She teared up a little. The print quality genuinely impressed her, and she's fussy.
Slipped it into the side pocket of my case with no fuss, and when I pulled it out for dinner there wasn't a crease to smooth. Took up no room at all.
I wear it wrapped twice round my wrist like a soft bracelet and it stays put through a whole day of typing. Pretty and practical.
Loved how the first one worked into my rotation, so I ordered another to keep at the office. The atelier's accessories keep surprising me for what they cost.
The golden horses really pop on camera against that ivory, and I keep getting asked about it in photos from a recent garden party.
No scratch, no slip, just a cool fluid square that sits kindly against the skin. I have sensitive skin and this passes.
Took it on a week away and it carried everything from a beachside breakfast to a proper dinner. One square, endless looks, barely any luggage space.
I wanted equestrian charm without the gaudy gold-chain print everyone has. This is restrained and pretty, the saddlery detail subtle enough for the office.
Came tucked into a slim sleeve with a quiet card, nothing wasteful, and it felt like a proper little present to open even though I'd bought it for myself.
The warm amber tones bring a bit of glow up by my cheeks, and the ivory keeps it gentle rather than stark. Brilliant for a tired-looking morning.
Neck, hair, handbag, even threaded through belt loops once. The size is generous enough to fold a proper knot yet not so big it overwhelms.
There's a softness and sheen to it that I'd expect from a scarf three times the price. The equestrian carré feels timeless rather than trend-led, and I know I'll still be reaching for it years from now.
Answered by the Hugo Caesar Tassi atelier
It's fully lined and completely opaque — no slip required. Only the lightest details are very slightly sheer, by design.
True to size through the waist and skirt. The bodice is tailored, so size up if you're fuller in the bust. See the size guide for exact measurements.
Very much so — it was designed for daytime, garden parties and the warmer months. Avorio and the deeper tones read beautifully after dark; the lighter colors suit daytime.
Pieces that share the Avorio palette and the house line
