That self-tie waist
The wrap closure is what sells it. You cinch the tie wherever it sits best on you, and the shirred empire waist takes over from there. I have a long torso and it still landed beautifully.







A self-tie wrap dress in fluid printed crepe, with a deep surplice V, soft cap sleeves and a shirred empire waist that falls to a flowing midi hem.
Free express delivery worldwide · import duties included
The Aurelia is a midi self-tie wrap crepe midi dress from the Livia collection — a dress conceived in Rome for weddings, the opera and occasions that ask for more. The self-tie wrap crepe midi is cut from structured crepe that holds a clean line, fully lined so it reads opaque in daylight and flash alike.
Like every Hugo Caesar Tassi piece, the Aurelia is finished by hand: a concealed closure, real linings, and seams sewn to last. It is offered in 3 colors from the imperial palette — Porpora, Avorio, Cobalto — and built to be worn for years, not a single season.
| Silhouette | Surplice wrap bodice, deep V-neck, cap sleeves, shirred empire waist, A-line midi skirt |
| Fabric | Lightweight fluid polyester crepe (97% polyester, 3% elastane) |
| Length | Midi, falling to mid-calf |
| Occasion | Occasion, garden gatherings, warm-weather celebrations |
| Care | Cold gentle machine wash, line dry in shade, cool iron on reverse |
True to size with a forgiving, body-skimming cut; the shirred elastic empire waist gives and adapts across the midriff.
Model is 178 cm and wears size S. Available S–XXL.
The surplice wrap bodice crosses high for easy coverage; pulls on overhead, no zip or buttons. Midi hem sits at the mid-calf.
Complimentary express shipping worldwide; dispatched within 1–6 business days, import duties included. Most orders arrive in 3–6 business days.
30-day returns on unworn items with tags attached. Each piece arrives in a porphyry box with the HCT seal.
For occasion, pair the Aurelia in Porpora with fine-gold jewelry and a barely-there heel. Add the Faustina silk scarf at the neck or wrist to complete the look.
Keep reading & explore the edit
Aurelia™Select color · Select sizeHugo Caesar Tassi designed Aurelia for the Livia collection — a wrap dress that moves the way light moves through a colonnade.
The bodice crosses in a deep surplice V and gathers into a shirred empire waist, the kind of line that flatters without effort. From there the crepe releases into a soft A-line midi, weightless against the calf and quick to catch a breeze.
We printed it in a generous bloom of wine-red Porpora florals across a warm cream ground — large, painterly, unmistakably the house. Cap sleeves keep the shoulders covered; the whole dress pulls on overhead, no fastenings to fuss with.
A fluid printed crepe chosen for drape, with a finish that reads matte and quietly luxurious in golden light.
The fluid polyester crepe has a soft, slightly textured hand that holds the print crisply while letting the skirt fall in long, easy folds. A touch of elastane gives the waist its forgiving stretch and keeps the silhouette settled through a long evening.
It is cut to be worn from a late lunch into the gold of the afternoon — an occasion dress that asks for nothing more than fine gold jewellery and bare ankles.
What she said after wearing it
The wrap closure is what sells it. You cinch the tie wherever it sits best on you, and the shirred empire waist takes over from there. I have a long torso and it still landed beautifully.
Ordered the Porpora and worried the print would read dark indoors. Out in real daylight it warms right up — plummy and rich without going gloomy. Wore it to a christening lunch and felt quietly put together the whole way through.
The dress itself is lovely — the Cobalto crepe drapes beautifully and the wrap ties just where I want it. The only thing is the flowing midi hem pools a touch on me since I'm on the shorter side. A quick turn-up at the tailor and it'll be flawless. Entirely a me thing, not the dress.
It's that lovely fluid crepe that swishes when you walk rather than clinging. The midi hem catches a breeze and falls straight back into place. Nothing static about it.
I picked the Avorio as a surprise for my daughter and guessed her size completely wrong — went a size too small. The dress is genuinely beautiful, the print and the soft cap sleeves are everything I hoped, but the surprise was a bit deflated when she couldn't tie it comfortably and we had to send it back for the next size up. The piece deserves five stars; the faff of swapping it is on me.
So many wrap dresses leave the upper arm looking awkward. The soft cap sleeve here sits exactly where it should — covers enough, flatters the shoulder, no gaping. Small detail, big difference.
Bought it for a long engagement party that drifted from afternoon into evening, and it carried me through both without a single readjustment. Flat sandals at two, heels by eight, same dress.
The surplice V is genuinely deep, which I love, but the wrap holds firm once you tie it. I added a little camisole for church and it sat just as well. Versatile in a way I didn't expect.
The ivory caught me off guard — the print on the cream ground is so soft and painterly. Photographs like a dream, soft light or harsh, indoors or out. I've worn it to three things already and it keeps reading expensive.
My Porpora Aurelia got held up somewhere in transit for the better part of a fortnight, and since I'd bought it for a specific dinner the wait was genuinely stressful. Nothing was charged on arrival — the duties were already taken care of — it was purely the not-knowing where it was. When it finally came the dress was exactly what I'd hoped, the colour deep and lovely, the wrap so flattering. I just wish getting it had been calmer.
Embarrassingly, I fat-fingered my own street number at checkout and the parcel set off to an address that doesn't exist. Cue panic. I emailed support fully expecting a shrug, and instead someone got hold of the courier and steered it back to the right door within a day. I'm marking the experience low because the whole detour was avoidable and stressful, but I want to be clear the Aurelia itself — the Cobalto, that gorgeous fluid crepe and the self-tie waist — is everything I wanted. The dress is a five; my keyboard fingers are the one.
The empire waist sits high and the skirt skims right over the midsection. I'm post-baby and self-conscious and this is the first occasion dress in two years I've felt genuinely comfortable in.
That blue. Properly saturated, almost inky in low light, electric near a window. The fluid crepe gives it real movement so the colour shifts as you go. Already planning where to wear it next.
Slipped it flat into my case for a destination wedding and pulled it out at the villa with barely a crease. A few minutes on a hanger in the bathroom and it was ready. For a midi this packable I'm thrilled.
I have a wrap dress that cost almost triple this and honestly the Aurelia drapes better. The crepe is weightier, the tie is sturdier, the hem hangs straighter. Quietly outclassing things four times its price.
Wore the Avorio to my niece's confirmation and three different aunts wanted to know where it came from. The wrap front is so flattering and the skirt photographs beautifully in group shots.
Sat, stood, danced a little, ate a full lunch — never once felt squeezed or tugged anywhere. The shirring at the waist gives just enough and the crepe breathes. Rare in occasion wear.
This is the fourth dress I've bought from them and the one I reach for most. The fit philosophy just suits me — defined waist, fluid skirt, nothing fussy. Came back for the Cobalto after living in the Porpora.
Up close the printed crepe has real depth — it isn't a flat repeat, there's shading and movement in it. On the deep-V wrap it reads almost like a soft watercolour across the bodice. Quietly beautiful.
At my height the midi hits mid-calf, exactly where it should, and the flowing hem gives a gorgeous sweep when I move. Pairs as easily with block heels as it does with ballet flats.
Bought the Porpora for my sister's fortieth and she actually teared up. The colour suits her, the wrap fits without needing a fitting, and she's already worn it to two events. Best present I've given in years.
Inside seams are clean, the tie is properly bound at the ends, and the shirred panel is neat rather than bunchy. You feel the care when you put it on. Nothing flimsy about the construction.
Genuinely throw it on and go. Knot the tie, slip on whatever shoes, and it looks considered. I've worn it to a work lunch, a gallery opening and a birthday meal — reads completely different each time.
What I love is that it doesn't shout. The deep V and the fluid drape do the work, the colour stays restrained. I felt elegant at a 50th-anniversary dinner without feeling like I'd tried too hard. That balance is hard to find.
Answered by the Hugo Caesar Tassi atelier
It's fully lined and completely opaque — no slip required. Only the lightest details are very slightly sheer, by design.
True to size through the waist and skirt. The bodice is tailored, so size up if you're fuller in the bust. See the size guide for exact measurements.
Very much so — it was designed for weddings, the opera and occasions that ask for more. Porpora and the deeper tones read beautifully after dark; the lighter colors suit daytime.
Pieces that share the Porpora palette and the house line