Moves like water
Those two front slits do exactly what the description promises — the modal flows with every step, and walking into the gala I felt the skirt part and settle like liquid. Genuinely mesmerising fabric.











Floor-length draped column gown in fluid modal jersey — high gathered waist, sleeveless high neck, and two soft thigh-high front slits that move like water.
Free express delivery worldwide · import duties included
The Vipsania is a maxi high-waisted double-slit draped modal maxi skirt from the Livia collection — a dress conceived in Rome for evening, dinners and the after-dark hours. The high-waisted double-slit draped modal maxi skirt is cut from a heavyweight jersey that drapes like liquid, fully lined so it reads opaque in daylight and flash alike.
Like every Hugo Caesar Tassi piece, the Vipsania is finished by hand: a concealed closure, real linings, and seams sewn to last. It is offered in 4 colors from the imperial palette — Basalt, Verde Antico, Cornelia, Porpora — and built to be worn for years, not a single season.
| Style name | Vipsania — draped modal column evening gown |
| Silhouette | High gathered waist, fluid floor-length column skirt |
| Neckline | Sleeveless high round neck |
| Slit | Two draped thigh-high front slits on overlapping panels |
| Length | Maxi — floor-grazing with a soft train (≈ 150 cm, size M) |
| Fabric | Modal-blend satin jersey, matte sheen, fluid drape |
| Stretch | Soft four-way stretch jersey |
| Transparency | Opaque |
| Closure | Pull-on, elasticated gathered waist |
| Care | Gentle cold hand-wash, line dry, cool iron reverse |
| Origin | Designed in Roma · ethically made |
| Model | Height 173 cm / 5'8", wears size M |
True to size. The gathered waist is forgiving and the jersey has gentle give — take your usual size. Between sizes? Size down for a closer column line.
Sleeveless high neck; the bodice skims rather than grips. Length is cut for heels — the hem grazes the floor with a soft train.
Open the size guide for bust, waist and hip measurements in centimeters across S–XXL.
Complimentary express shipping worldwide; dispatched within 1–6 business days, import duties included. Most orders arrive in 3–6 business days.
30-day returns on unworn items with tags attached. Each piece arrives in a porphyry box with the HCT seal.
For evening, pair the Vipsania in Basalt with fine-gold jewelry and a barely-there heel. Add the Faustina silk scarf at the neck or wrist to complete the look.
Keep reading & explore the edit
Vipsania™Select color · Select sizeRome carved its temples as fluted columns — vertical, exact, eternal. The Vipsania reads that line in soft modal jersey, a gown that falls straight and pure until two slits let it breathe.
Designed by Hugo Caesar Tassi for the Livia collection, the Vipsania takes the classical column and lets it move. A high, gathered waist cinches a clean sleeveless bodice; below it the skirt unfurls into a long, fluid column with two softly draped thigh-high front slits that part as you walk and close again to a quiet, modest line when you stand.
Cut from a weighty modal-blend jersey, it has the matte-satin sheen of an evening gown without the stiffness — fabric that pours over the body and pools at the floor. It arrives in four imperial tones: near-black Basalt, bronze-patina Verde Antico, deep-wine Cornelia and Tyrian Porpora — colors drawn from fresco and porphyry, built to be kept rather than retired with the season.
Drape that holds. A dense modal jersey falls in clean vertical lines, skims the waist and resists clinging — flattering in daylight and under flash alike.
Slits that move, not expose. The two front slits are cut into draped overlapping panels, so they open with movement and fall closed at rest — drama with restraint.
One clean line. A high gathered waist and high neckline keep the silhouette long and uninterrupted from shoulder to hem.
Travel-ready. Jersey shakes out of a suitcase without a crease — pack it, hang it, wear it the same evening.
What she said after wearing it
Those two front slits do exactly what the description promises — the modal flows with every step, and walking into the gala I felt the skirt part and settle like liquid. Genuinely mesmerising fabric.
Ordered the green half-expecting it to read murky, but in late-afternoon light it's a deep antique sage with real depth, almost mineral. Outdoors at the reception it shifted beautifully as the sun dropped.
The Verde Antico is stunning and the modal drape is everything I hoped — fluid, flattering, comfortable through a long dinner. Entirely a personal quirk, but I'd have loved a slightly softer scoop rather than the high neckline for my own taste. The gown itself is faultless.
Sleeveless with a clean high neckline is such a difficult balance to get right, and they nailed it. Covered up top, bare arms, long lean column below. Elegant without trying.
Hovering right between two sizes, I talked myself into the smaller and should have trusted my gut on the larger. The waist gather sits a touch snug on me — entirely my own misjudgement, not the cut. The Porpora colour and the way the slits move are exactly as dreamy as I'd hoped, so I'll be exchanging rather than returning.
I'm short-waisted and dresses usually cut me in half. The gathered high waist on this sits right under the bust and the modal falls straight to the floor, so I look a foot taller. Astonishing for the figure.
The Porpora is a proper grown-up plum, not costume purple. I felt quietly the most elegant woman in the room without a single sequin in sight. The drape does all the work.
No complaint about the dress at all — the Basalt modal is sublime and the high-necked column is everything I wanted for the evening. The hold-up was timing: I ordered into the busiest stretch of the season and the whole courier network was clearly straining under the volume, so it crawled to me far later than I'd planned for. The gown, thankfully, was worth the wait.
I genuinely love the gown — the Cornelia shade is unusual and warm, and the way the modal slits move is everything the photos suggested. My one star is purely logistics: I changed homes partway through the order and had to redirect the parcel to the new place, which turned into a tangle of failed attempts and confusion before it finally landed. The dress is wonderful; getting it to me was the ordeal.
Three hours seated at dinner, then dancing, and the jersey never dug in or creased oddly. No zip biting my spine. It's the rare floor-length gown I forgot I was wearing.
Was nervous about two thigh-high splits but they're soft, not scandalous — they only open when you move, then close again. Walking shows a flash of leg; standing still it's demure. Clever cut.
Every photo from the evening shows the modal catching light along the gathers. The column reads long and unbroken in pictures, no awkward bunching. My sister is now borrowing it for her event.
The near-black charcoal is endlessly wearable — I've now worn it to a winter gala and a summer terrace dinner and it suits both. The jersey hand is buttery, weighty without dragging.
Tucked it into a carry-on for a destination wedding, slightly anxious. Pulled it from the case, gave it twenty minutes on the bathroom door, and every gather fell back into place. Modal forgives everything.
I have gowns from houses costing four times this, and the draping here holds its own against any of them. At this price the value is almost suspicious. The finishing inside is properly done.
Loved that I could wear my grandmother's drop earrings and a slick low bun and let the neckline frame everything. Nothing competes. The simplicity is the luxury.
Took a gamble on the warmer shade and it's a soft russet-rose that's wonderfully unusual against my skin. Several people stopped to ask about the colour specifically — it photographs like a painting.
A floor-length gown you can actually breathe in. The modal stretches just enough through the waist gather that a long dinner felt effortless. Sat, stood, danced, no readjusting.
No print, no embellishment, no fuss — just gorgeous fabric falling well. That's so much harder to pull off than something busy, and this manages it completely. Quietly expensive-looking.
What sells this gown is movement. Standing it's a sleek column; the second you walk the whole thing comes alive and the slits ripple open. Bought it for my anniversary dinner and felt incredible.
Some jersey gowns feel like loungewear; this has heft and a proper fall. It skims rather than clings, which is exactly what you want over real curves. Flattering in a forgiving, confident way.
Bought the Basalt for my mum's seventieth and she was genuinely emotional. The high neck suited her perfectly and she said it was the most comfortable formal dress she's ever owned. A real keeper.
Rolled it loosely for a cruise formal night and it emerged ready to wear. For anyone packing a gown into limited luggage, this modal column is the answer — no creasing, no steaming drama.
I'm tall and most maxi gowns hover at my ankle. This genuinely reaches the floor with a heel on, the hem grazing without pooling. The proportions were clearly cut for real height. Thrilled.
Answered by the Hugo Caesar Tassi atelier
It's fully lined and completely opaque — no slip required. Only the lightest details are very slightly sheer, by design.
True to size through the waist and skirt. The bodice is tailored, so size up if you're fuller in the bust. See the size guide for exact measurements.
Very much so — it was designed for evening, dinners and the after-dark hours. Basalt and the deeper tones read beautifully after dark; the lighter colors suit daytime.
Pieces that share the Basalt palette and the house line