Weightless on a hot day
Wore it to a vineyard lunch in July and barely registered I had anything on — the chiffon moves with the slightest breeze and never clings. The deep V keeps it from feeling girlish despite all the flowers.





Garden-bright floral-print chiffon midi with a deep V-neck, easy dolman sleeves and a tiered ruffled hem — fully lined, weightless, made for warm days that matter.
Free express delivery worldwide · import duties included
The Livilla is a midi floral-print v-neck dolman-sleeve tiered chiffon midi dress from the Faustina collection — a dress conceived in Rome for daytime, garden parties and the warmer months. The floral-print v-neck dolman-sleeve tiered chiffon midi dress is cut from weightless chiffon that moves with you, fully lined so it reads opaque in daylight and flash alike.
Like every Hugo Caesar Tassi piece, the Livilla is finished by hand: a concealed closure, real linings, and seams sewn to last. It is offered in 1 colors from the imperial palette — Avorio — and built to be worn for years, not a single season.
| Style name | Livilla — floral-print chiffon midi dress |
| Silhouette | Relaxed A-line, gathered yoke, single tiered ruffled hem |
| Neckline | Deep V-neck |
| Sleeve | Short dolman / batwing sleeve |
| All-over multicolor floral — daisies & chrysanthemums on an Avorio ground | |
| Length | Midi |
True to size. The Livilla runs true through the waist and skirt. Between sizes? The bodice is cut close, so size up for a fuller bust.
Open the size guide for bust, waist and hip measurements in centimeters.
Complimentary express shipping worldwide; dispatched within 1–6 business days, import duties included. Most orders arrive in 3–6 business days.
30-day returns on unworn items with tags attached. Each piece arrives in a porphyry box with the HCT seal.
For daytime, pair the Livilla in Avorio with fine-gold jewelry and a barely-there heel. Add the Faustina silk scarf at the neck or wrist to complete the look.
Keep reading & explore the edit
Livilla™Avorio · Select sizeThe frescoed gardens of the Villa di Livia bloomed all year on a painted wall. The Livilla answers in printed chiffon — a flowering midi that carries that imperial garden into a modern summer.
Designed by Hugo Caesar Tassi for the Faustina collection, the Livilla takes the deliberate ease of classical drapery and reads it as a relaxed, A-line midi. A deep V-neck and soft dolman sleeves keep the line uncomplicated; the volume gathers from the yoke and falls into a single tiered, ruffled hem that moves with every step.
The all-over floral print is the dress — large daisies and chrysanthemums in fresco Vermiglio, imperial Cobalto, jade and golden yellow, scattered across a soft Avorio ground. It is a wedding-guest dress, a garden-lunch dress, a travel dress you can fold into a case and shake out at the door.
Weightless, never sheer. Cut from an airy printed chiffon and fully lined through the body, so it floats in the heat and reads opaque in daylight and flash alike.
Easy on the body. The dolman sleeve and gathered, tiered cut skim rather than cling — forgiving across the bust and waist, flattering on every figure.
Print that holds. The bloom is printed deep and color-fast, so the garden stays vivid through summers of wear and gentle washing.
Made responsibly. Woven from chiffon and finished by hand in Rome — French-seamed inside, concealed closure, made to be kept.
What she said after wearing it
Wore it to a vineyard lunch in July and barely registered I had anything on — the chiffon moves with the slightest breeze and never clings. The deep V keeps it from feeling girlish despite all the flowers.
The cut of the sleeve is the clever bit — easy and forgiving across the upper arm without a hint of bulk, so you get coverage and movement both. Such a relaxed shape for what is plainly a special-occasion piece.
The chiffon is dreamy and that ruffled hem swings beautifully — I have no real complaint. Purely for my own shorter frame I'd have loved it a fraction higher off the floor so I could skip the heels; on me the midi sits a little long. Still a dress I adore wearing.
This is on me entirely — I took my usual size out of habit and should have gone one larger, because the dolman shape sits closer through the body than I'd guessed and I'd have liked more of that floaty ease. The chiffon itself is gorgeous and the floral print is genuinely lovely in the light; I just misjudged the fit and that's my own doing.
Bought it for a christening lunch in a friend's garden and it was perfect among the roses. The print is genuinely garden-bright, not muddy or dark the way florals can photograph online, and the ivory ground keeps it fresh.
My fault and nobody else's — I chose the ivory and once I had it out in real daylight I realised a warmer cream suits my colouring far better than this soft, cooler ivory does. It's a beautifully made dress, the lining is lovely and the ruffled hem is exactly as I hoped; the colour is simply a personal-taste miss on my part.
So many chiffon dresses leave you fussing with a slip underneath. This one is fully lined, properly, so there's nothing see-through and nothing static — you put it on and you're done. That alone justified the spend for me.
The tiered hem is what sold me. Walking, it lifts and settles in these soft layers, and when you stand still it just falls quietly. It reads expensive without trying hard.
A long, sweltering wedding in Puglia and I stayed cool and composed the whole afternoon. Chiffon over a smooth lining, no sticking, no creasing into a wrinkled mess by the speeches.
I'm always wary of a plunge but the angle here is flattering rather than revealing — elongates the neck, frames a simple pendant, and sits flat without gaping. Considered tailoring on what looks like an effortless dress.
To be clear up front, the dress is beautiful and I've nothing bad to say about it. What dropped the stars was the wait — a national holiday where I live shut everything down and the last stretch of the journey simply stalled for several days while offices were closed. Frustrating when you're counting down to a date, though once it landed the floral chiffon was every bit as lovely as I'd hoped.
The Faustina pieces have a particular quiet polish and this is no exception. A floral midi could be twee; this one is grown-up, fluid and quietly luxurious. I keep reaching for it over things that cost far more.
My daughter took pictures of me in the garden and the way the chiffon catches light, all soft edges and movement, is lovely on camera. The florals read clearly without going busy in a photo.
In actual daylight the background is a warm ivory rather than stark white, which is so much kinder against skin. The blooms sit beautifully against it — a proper painterly print, not a flat digital one.
Eight hours at a garden lunch including a fair bit of standing and I never once wanted to change. Nothing dug in, nothing rode up, the lining stayed put. Rare in a dress this pretty.
Falls to exactly the right point on the calf — long enough to feel occasion-worthy, short enough to wear flats and not drown. The proportions of bodice to tiered skirt are really nicely balanced.
Tucked it into a soft case for a few days away, hung it the morning of the lunch, and the chiffon dropped smooth in under an hour. No iron needed, no panic. It earns its place in a small bag.
Ordered it for my mother's seventieth and she was genuinely moved — said it was the most elegant thing she owns. The flowing sleeves are flattering on an older arm and she felt wonderful, which was the whole point.
You can feel where the money went — the hand of the chiffon, the neat finishing inside, the way the tiers are set. At this price it competes happily with designer labels I've paid double for.
Slips on, no zips to wrestle, and you look like you made an effort without having made any. That dolman-and-V combination does a lot of flattering work for so little fuss.
Having lived in two of their day dresses already, I trusted the make — and the trust was rewarded. The weightless chiffon and that romantic ruffled hem make it the one I pull out when warm weather and a real occasion collide.
The dolman sleeve drapes from the shoulder in the softest way and skims rather than grips. For anyone self-conscious about their arms in summer, this is the dress — coverage that still feels light and pretty.
Flat sandals and a straw bag for a lunch, heeled mules and gold hoops for an early-evening do, a denim jacket thrown over for the cooler walk home. One floral midi, several lives — it stretches well beyond a single event.
It reached me carefully wrapped, every fold protected, with a handwritten note that felt like a real atelier rather than a warehouse. The dress slid out uncreased and ready. A genuinely lovely thing to receive.
Answered by the Hugo Caesar Tassi atelier
It's fully lined and completely opaque — no slip required. Only the lightest details are very slightly sheer, by design.
True to size through the waist and skirt. The bodice is tailored, so size up if you're fuller in the bust. See the size guide for exact measurements.
Very much so — it was designed for daytime, garden parties and the warmer months. Avorio and the deeper tones read beautifully after dark; the lighter colors suit daytime.
Pieces that share the Avorio palette and the house line