Broderie done right
The eyelet embroidery is so dense and even across the whole dress, not just a token panel at the hem. Each little floral cutout is finished cleanly. In ivory it reads as quietly expensive without trying.





A relaxed cotton-linen maxi worked all over in floral broderie anglaise.
Free express delivery worldwide · import duties included
The Plautina is a maxi broderie-anglaise embroidered cotton maxi dress from the Iulia collection — a dress conceived in Rome for daytime, garden parties and the warmer months. The broderie-anglaise embroidered cotton maxi is cut from structured crepe that holds a clean line, fully lined so it reads opaque in daylight and flash alike.
Like every Hugo Caesar Tassi piece, the Plautina is finished by hand: a concealed closure, real linings, and seams sewn to last. It is offered in 1 colors from the imperial palette — Avorio — and built to be worn for years, not a single season.
| Silhouette | Relaxed A-line maxi with gathered yoke, self-tie split neck, balloon sleeves and scalloped eyelet hem |
| Fabric | Cotton-linen with hand-worked broderie-anglaise eyelet embroidery, lined with a cotton slip |
| Length | Maxi |
| Occasion | Day, warm-weather travel, long Italian lunches |
| Care | Gentle cold wash or hand wash; line dry in shade; cool iron on the reverse |
Loose, easy fit that falls softly from a gathered yoke; relaxed through the body with room to move.
Model is 179 cm and wears size M. Available S-L.
Self-tie split neckline adjusts the opening; a comfortable inner slip keeps the dress fully opaque.
Complimentary express shipping worldwide; dispatched within 1–6 business days, import duties included. Most orders arrive in 3–6 business days.
30-day returns on unworn items with tags attached. Each piece arrives in a porphyry box with the HCT seal.
For daytime, pair the Plautina in Avorio with fine-gold jewelry and a barely-there heel. Add the Faustina silk scarf at the neck or wrist to complete the look.
Keep reading & explore the edit
Plautina™Avorio · Select sizePlautina is the dress for the slow hours between noon and the sea.
Fine broderie anglaise runs the length of the cloth in a quiet floral repeat, scalloping at the cuffs and the hem in the way only hand embroidery can.
A soft self-tie at the neckline and beaded ties keep the styling unhurried and entirely undone.
Airy on the surface, considered underneath.
The cotton-linen breathes through the heat while a smooth cotton slip sits beneath, so the openwork reads as texture rather than exposure.
Balloon sleeves and a gathered yoke give the dress its generous, gathered fall, equally at home barefoot or with a flat sandal.
What she said after wearing it
The eyelet embroidery is so dense and even across the whole dress, not just a token panel at the hem. Each little floral cutout is finished cleanly. In ivory it reads as quietly expensive without trying.
Wore this to a long lunch in 32-degree heat and the cotton-linen genuinely breathed. By the time coffee arrived I was still comfortable, no clinging, no creasing into a mess. The eyelet lets a little air through too.
Everything about the Plautina is lovely — the cotton-linen has real heft, the broderie anglaise is intricate the whole way down, and the ivory is so flattering in daylight. My only personal niggle, and it's entirely a matter of my own taste, is that I'd have loved a slightly lower or wider neckline to show off a necklace. The dress itself is faultless; I just have a fussy preference for more bare collarbone. Still wear it constantly.
I was nervous a pale dress would look washed out in strong sun, but in daylight the avorio is a warm soft cream, not a stark white. Photographs gorgeously against greenery. So glad I didn't talk myself out of it.
The timing was all my doing — I'd ordered just before completing on a new flat, then had to scramble to switch the delivery to a half-unpacked house across town. There was a bit of back-and-forth getting it sent to the right door, which ate into my week. None of which is the dress's fault: the eyelet maxi is genuinely beautiful, light and cool, and the ivory is just as soft as I'd hoped. Once it finally reached the correct address I forgave the whole saga.
Light enough to fold flat, came out of the case barely needing a shake, and I lived in it across a week on the Amalfi coast. Sandals by day, a heeled mule and gold hoops for dinner. Earns its place.
The column shape skims rather than clings, so it moves with you as you walk. There's a lovely weight to the cotton-linen that keeps it falling straight instead of billowing. Feels grown-up and easy at once.
Caught between a small and a medium, I went back and forth and ultimately picked wrong — the medium swims on me a touch through the shoulders. That's purely my guesswork, not a flaw in the cut, and I'll be exchanging it. I do want to say the dress is gorgeous: the broderie anglaise is exquisite up close and the cotton-linen feels wonderfully cool. Once I'm in the right size I expect to adore it.
I ordered at the busiest stretch of the year, and the whole courier network was clearly buckling under the volume — my parcel crawled through depot after depot while everything in the country seemed to be doing the same. The shipping experience tested my patience, plainly a seasonal logjam rather than anyone's individual error. I'll say plainly that the dress, when it finally landed, is stunning: the floral cutwork is delicate and even, the ivory is dreamy, and the maxi length is perfect. The wait is the only reason for the star.
The floral cutwork has a hand-finished quality I genuinely didn't expect at this price. Lined where it needs to be, sheer-free, and the stitching held through a wash. For 215 dollars it punches well above.
Bought it for a friend's countryside wedding and it was perfect for standing about on grass all afternoon. Breezy, modest enough, and the eyelet detailing caught the light whenever I moved. Felt elegant without effort.
Honestly the most comfortable thing I own that still looks put-together. No zip digging in, the cotton-linen is soft against the skin, and I forgot I was wearing it. That's the highest praise I can give a dress.
I keep coming back to this atelier because the fit logic just works for me, and Plautina is no exception. The maxi length hits exactly right, the embroidery is the real deal, and it's become my warm-weather default.
I'm on the taller side and maxis often land awkwardly mid-shin on me, but this skims the floor in flats and sits perfectly with a low heel. The proportions of the column are spot on.
Not a loud dress, which is exactly why I love it. The broderie anglaise does all the talking. Ivory cotton, simple line, nothing shouty — the kind of piece that looks better the less you fuss with it.
It's all in the cutwork. Tiny scalloped flowers worked across the entire body of the dress, and you only really see how intricate it is up close. People keep leaning in to look at it.
Threw it on for a christening with woven flats and a straw bag and felt instantly pulled together. The relaxed cut means I could eat lunch and chase a toddler without feeling restricted. Brilliant day dress.
What surprised me was the hand of the fabric — it's a proper cotton-linen with body to it, not a flimsy summer throwaway. Feels like it'll last years and only soften further with washing.
Got this as a birthday gift for my mum and she nearly cried. The ivory suits her colouring, the length is dignified, and the embroidery feels special. She's already planned three outings in it. A proper success.
Packed this for two weeks of island-hopping and it became the dress I reached for again and again. Rinses out, dries fast, and looks just as good for breakfast as it does for a sunset dinner. No fuss whatsoever.
I'm a bit self-conscious around the middle and the relaxed column skims it entirely while still looking shapely. The vertical line of the maxi is lengthening. I felt genuinely confident, which a dress rarely manages.
It arrived pressed flat between sheets of paper inside a slim box, almost too pretty to unwrap. No plastic-y smell, just clean cotton. Small thing, but it made the whole purchase feel considered and special.
Assumed it was a July-only dress but I've layered it over a fine roll-neck with boots for autumn and it works completely differently. The cutwork lets a contrast colour peek through. Far more seasons than I bargained for.
It sold out in my size and I kept checking until it restocked. The day it arrived I knew the patience had paid off — the embroidery, the drape, the ivory tone all exactly what I'd hoped. A keeper for years.
Answered by the Hugo Caesar Tassi atelier
It's fully lined and completely opaque — no slip required. Only the lightest details are very slightly sheer, by design.
True to size through the waist and skirt. The bodice is tailored, so size up if you're fuller in the bust. See the size guide for exact measurements.
Very much so — it was designed for daytime, garden parties and the warmer months. Avorio and the deeper tones read beautifully after dark; the lighter colors suit daytime.
Pieces that share the Avorio palette and the house line